[RELEASE] NIGHTMARE OF SOLOMON (Natsumoto Ver.)

Rounding out the Nightmare of Solomon versions is Natsumoto’s short take on things. Originally serialized in the first issue of Gundam Game Ace, this version tells a similar rendition of Tsukasa Kotobuki’s version (released previously). While Kotobuki’s version follows what is echoed in the Master Grade version of Gato’s Gelgoog, this particular version of events follows the explanation given in Gundam Officials that Gato’s suit was a Rick Dom at the Battle of Solomon. This comic was also more or less depicted in the “Encounters in Space” PS2 game that was released just a short time later. Click the link below to download.

ガンダムゲームエース [ガンダムエース2003年10月号増刊]
GUNDAM GAME ACE [GUNDAM ACE OCTOBER EXTRA ISSUE]

PUBLICATION INFORMATION

Publisher: Kadokawa Shoten
Published: 2003.10.01
Price: 480 yen
Download: click here

The long-awaited Gundam magazine for the gaming generation brings together popular Gundam Ace serializations coupled together with gaming news and information.

[RELEASE] NIGHTMARE OF SOLOMON

Today’s random one-shot manga release comes courtesy of the old Go! Go! Our Victory Gundam!! book by Tsukasa Kotobuki. In it is the original story of how Anavel Gato earned his nickname the “Nightmare of Solomon.” This installment was later retconned by Masato Natsumoto’s version that depicts him wielding a Dom and a beam bazooka at the Battle of Solomon rather than a Gelgoog. The latest Gundam game called U.C. ENGAGE will be depicting this through cutscenes, of which Kotobuki is in charge of the animation. So, here’s the original version of that story for everyone to enjoy. Click the link below to download.

いけ!いけ!ぼくらのVガンダム
GO! GO! Our Victory Gundam

PUBLICATION INFORMATION

Publisher: Dengeki Comics
Published: 1994.10.15
Price: 560 yen
Download: click here

Original oddball Gundam shorts (mostly gag) by Tsukasa Kotobuki (who would go on to do character design for Gundam the Origin). It’s evident how much his artwork improved over the years based on this initial release (even compared to the Kai manga).

CROSSBONE GUNDAM X-11 [Ch.03]

My third commissioned release at the request of a Crossbone Super Fan! His goal/desire is to be able to crowdfund enough to have me translate both Ghost and Dust for the community. While I explained that one of them is already being finished by some people, he pressed that he wasn’t satisfied with it and was accustomed to us, so I’m just throwing that information out there for people. Until such a decision is made, I’m sticking to X-11 since that’s what is being commissioned at this time.

機動戦士ガンダムクロスボーン・ガンダムX-11 第3話
MOBILE SUIT CROSSBONE GUNDAM X-11 CH.03

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2021.08.26
Released: 2021.09.02
Download: Available Here

U.C.0170, behind the scenes of the DUST Project, are Curtis’ struggles! The trail of the Servants of Olympus is close at hand! Yet, what is the truth that lies in the Jovian Sphere ten years ago?

GUNDAM 0083 REBELLION VOL.13

My desperate struggle begins as I try and photoshop the remainder of the series before the month is over! Join me as I tick off the last few volumes of this awesome series! Like, share, and donate! Stay tuned for more!

機動戦士ガンダム0083 REBELLION 13
MOBILE SUIT GUNDAM 0083 REBELLION VOL.13

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2019.08.24
Released: 2021.08.24
Download: Available Here

Operation Stardust is finally about to begin. What will the final outcome of the Rebellion version? On a fierce battlefield, Gato’s Neue Ziel stands before Kou’s Dendrobium!!

CROSSBONE GUNDAM X-11 [Ch.02]

My second commissioned release at the request of a Crossbone Super Fan! His goal/desire is to be able to crowdfund enough to have me translate both Ghost and Dust for the community. While I explained that one of them is already being finished by some people, he pressed that he wasn’t satisfied with it and was accustomed to us, so I’m just throwing that information out there for people. Until such a decision is made, I’m sticking to X-11 since that’s what is being commissioned at this time.

機動戦士ガンダムクロスボーン・ガンダムX-11 第2話
MOBILE SUIT CROSSBONE GUNDAM X-11 CH.02

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2021.07.26
Released: 2021.08.02
Download: Available Here

U.C.0170, behind the scenes of the DUST Project, are Curtis’ struggles! The assassin Pale Rouge vs. Curtis Rothko! Grab the tail of the Servants of Olympus, the Jovian hardliners, without killing, and without letting them escape!

[BACKGROUND] – Kai Shiden Report from Gundam NT

Back when Gundam Narrative came out in theaters, theatergoers were able to pick up a little “background” report that was penned by Kai Shiden. The article is one of the many “unknown” setting materials that tried to fill in and expand on the incidents that happened at the time. This, along with the Return of the Lion radio drama, paints a picture of what is going on in the political landscape of the Universal Century at the time. You can read the article here.

[Ramblings] – 20 Minute Preview is Causing Waves!

The re-release of Hathaway’s Flash novels has made some modifications here and there, some minor corrections to kanji, some proofreading, and a couple of new lines. The odd downside to these has been the omission of the internal artwork. It seems, though, that some of the diehard Tomino otaku are having some grumblings over the anime adaptation of this series. Let’s dive in!

The movie’s advance screenings/YouTube previews have pretty much turned them off to the prospect of buying the film on Blu-ray when it comes out. Many people feel that the impression the novel left on them, the portrayal of people, was vastly different from the one that Sunrise was trying to portray (aka it’s a clear cut ‘we’re here to sell models’ movie).

On that note, Beltorchika’s Children is a novel with a motif that disavows mobile suits, which is permissible because it’s a novel written by one person. They feel that it shouldn’t be turned into a production work that recoups its production costs by selling plastic models through mecha action. Oh boy. I think some people missed the memo when it came to just what Gundam is. Nonetheless, Hathaway’s Flash, at its core, is a novel that depicts the human drama that lies beyond mobile suits being disavowed. In a sense, I’m guessing that they’re complaining about how a novel like this is the only way mobile suits can be secondary and not the focus of the story.

We all heard the argument from Ogata when he said that the use of 3D CG made it possible to animate the complex action of the mobile suits. A lot of them feel this wasn’t the case with the novel. It was more of the “feeling” they got when reading the story, which you can’t really replicate in a theatrical setting and not the mobile suits.

If you take a long hard look at dogfights and whatnot in the air, Macross Plus, Blue Sub 6, Macross Zero, Bebop, Yukikaze, etc., all did this with no problem. Heck, even A New Translation slapped on some animated shading to a CAD model. I don’t think the issues lie with the Xi and the Penelope. It’s not that they couldn’t do it. It’s just that they didn’t want to do it. We did have MS IGLOO give us a full CG experience with little to no (yikes?!) issues.

You also have the future of Gunpla to consider here as well. I’m pretty sure the OYW has been milked to death, and now Sunrise is looking for a new cash cow. Unicorn is probably starting to run a little thin too, so why not bring something out from 30+ years ago? But then we have the issue of incorrect credits. Yes. They’re grumbling about credits! Quite a few people have pointed out the fact that it says “Original Story by Yoshiyuki Tomino & Hajime Yatate.” The Sunrise pseudonym wasn’t involved with the novel, so why are “they” tacked on to the “Original Story” credit? Well, I guess he’s just a component in a Gundam project with no individual credit allowed anymore.

Many fans also feel that the NexT 100 project is a bit of a “day late and a dollar short” venture for the company. Since Ogata wants Fukui to start penning something that shows the dismantling of the Republic of Zeon in U.C.0100, it seems kind of foolish for them to have animated something that takes place five years after that. Are we meant to flip-flop back and forth between the years?

Many of the novel fans feel that it’s a hard-boiled novel, one where it’s not about disavowing mobile suits, not about the mecha action, but about the conversational atmosphere. I sort of agree with this, mainly because it’s been a pain in the arse to translate half the time. It’s not just Tomino, it’s the actual structure of the novel itself!

But I suppose the preview has left a lot of people turned off. The whole first part of the novel was setting up dialogue among the characters. The subtleties of their conversations. Hathaway ordering his drink (joking about ordering warm milk before getting a Wild Turkey on the rocks), Kenneth having a conversation with himself in the bathroom, interacting with all the EFG cabinet members… And then you have Gigi. Some people aren’t happy that they’ve basically washed away everything about her character. She’s no longer insightful, and she doesn’t come off all that classy or careful. Instead, she mentions how Kenneth is military and divorced too. This gives a very different impression of her.

The dirty thoughts of the politicians (their thirst for Gigi and the cold relationship they have with their wives) are curbed considerably. The novels never really implicated any of the cabinet members in any sort of specific corruption either. The entire cabin scene is a patchwork of things from the original work, so the entire atmosphere comes off quite stilted. Nuance be damned, apparently.

Then there’s the hijacking scene. In the novel, a true sense of danger is depicted. The anime? Not so much. It’s more of a “let’s dump the hijackers and jet off.” Then there’s the whole “let’s have a gunfight inside the ship!” scene. Hollywood action sequence much? I mean, the novel had them fearing death if there was a gunfight inside the craft, and now suddenly we’re firing off machine guns with no issues?

If you look at what the director did in the past, I’m honestly quite surprised. Witch Hunter Robin, Genocidal Organ, and even Red Garden had a lot of conversation versus action (Genocidal Organ probably isn’t the best reference, but I digress…). It makes me wonder if the love triangle is going to be mangled too. Is Sunrise just trying to make an easy-to-understand anti-terrorist war action movie?

[Z MSV WORLD] – MSA-004-K NEMO III

Diving back into some of the older Gundam oddities from the 1980s, here’s some old background information on the Nemo III! Check out the post on Twitter for the kick-ass artwork by Kazumi Fujita! Click the magazine cover below to be taken to the article.

ビークラブ6雑誌
B-CLUB Issue No.6

PUBLICATION INFORMATION

Publisher: Bandai
Released: 1986.04.30
Price: 650
Size:

Issue 4 includes the third installment in Z MSV material, Kazuhisa Kondo’s MS World, a small sampling of Gunpla models, ZZ Gundam story guide, Gundam fan mecha designs, a Gundam-related short story, and more!.

GUNDAM 0083 REBELLION VOL.12

As promised, I’m diving back into the manga scene! Join me as I tick off the last few volumes of this awesome series! Like, share, and donate! Stay tuned for more!

機動戦士ガンダム0083 REBELLION 12
MOBILE SUIT GUNDAM 0083 REBELLION VOL.12

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2019.02.25
Released: 2021.04.23
Download: Available Here

The final phase awaits Kelly and Kou as they wield the Dendrobium! The countdown to the colony drop finally begins! What will be the outcome of the Rebellion version?!

[Conclusion] – Hathaway’s Flash Vol.01

With the Hathaway’s Flash movie coming out in the next three weeks, today marks another milestone for the Gundam community. I present to you the final chapter of the first novel in the trilogy. This was a difficult chapter to work on and I’m still pretty sure my rendition of some of the fight descriptions are rather shitty, so I’m open to edits from people if they have any suggestions. Now, I can finally devote my full focus back to manga projects until they announce a release date for the second movie, and then it’s a fight to finish the next volume before that release date. Thank god for a head start! Thank you to everyone for the support and tons of kisses to my haters out there that I’m a lazy son of a bitch for not releasing something every day that goes by. I love you too. Your bitterness keeps me moving forward to pump out random things from time to time just to spite you.

You can read the final chapter here.

[Interview Notes] – Hasegawa’s Long Ass Interview Notes

A three and a half-hour interview that translated into some 30,000 characters on paper and I’m wondering if this clears up or muddles thoughts on the Crossbone entries. Here are the notes!

Crossbone Interview Notes:

  • Shinichiro Inoue came to Hasegawa before the first issue of Shonen Ace
  • In hand: Tomino’s draft.
  • Hasegawa said “he’ll change a lot.” Inoue said “that’s fine”
  • Seems they were looking for someone to change the story to begin with.
  • Hasegawa says if the story had been about an aristocrat defeating the Federation, he would have refused.
  • Says that if he were to draw an original Gundam story, it wouldn’t have been something like Crossbone Gundam.

 

  • Says Tomino came at him hard with the story so he had to hit back. Says that the title left him no choice but to include a skull and crossbones. He asked if it was okay.
  • Says Tomino thought about it for about five seconds before saying it might work.
  • Katoki’s original design came back with an X-shaped thruster, so it may have been Tomino’s idea, but he doesn’t know.
  • Says he didn’t hesitate to make story changes, just gave it a shot and if it didn’t work, dialed it back.

 

  • He first jotted out what he wanted the story to be like, and sent them the name.
  • Decided on the basic plot at the beginning, but didn’t know how long the series would be.
  • Tomino likely didn’t know either. If it was popular, it’d continue. If not, they’d probably lose a volume.
  • Early discussions talked about six books.

 

  • He only met Katoki once. The rest was done over the phone.
  • By the time Steel 7 came up, they conversed over email. The rest was done back and forth with Sunrise.

 

  • Says it was impossible to have all the suit designs sketched out up front.
  • Started with prototype Crossbone Gundam along with the enemy Batara, the Mother Vanguard and the last boss the Divinidad.
  • Katoki created these four.

 

  • When he first saw the Z’Gok appear in the original series, he was surprised by it. He used this format to recreate the shock of other suits appearing.
  • Apparently, the scene in volume 6 about running along a mountain road is a story about Tomino’s experiences overseas.

 

  • “I tend to think in terms of First Gundam, but in the First, the Newtype is a kind of compensation for the main character. They are given a reason to be a little better than others, but they don’t have the power to change the course of the war. I try to keep this in mind as much as possible. This was an extremely new aspect of First Gundam. It was about people evolving and acquiring supernatural powers, but up until then, in science fiction, if you acquired supernatural powers, it would have been like “Gennma Taisen.” It was new to me that the story did not use supernatural powers to wipe out the enemy, and that they only evolved in a very steady manner. I think that’s why I tried to keep that in mind.”

 

  • Gundam Ace editorial staff suggested Skull Heart.
  • He originally turned down the Zeta Gundam sidestory at first, a comic version of the movies. Hasegawa felt that fans of his would expect something different, so this led to the 1/2 story.
  • He always had the desire to do a mecha version of Seven Samurai.
  • Hasegawa was asked by Katoki for a weapon for the Crossbone due to the Fix Figuration figure being produced, so he drew up a rough version of the Peacock Smasher.
  • Afterwards, when working on Steel 7, Katoki asked if they could make it wear a full armor. Hasegawa said that doesn’t give the impression of it being very different from other Gundams, so he suggested a mecha cape.
  • Differentiation is very important.

 

  • When making his models, he tries to consider how the total bulk of the parts fit together and doesn’t think about the joints.
  • His designs are a hard sell from a Gunpla perspective because he was only thinking about how they’d look on paper, basically.
  • The point is to create a design that appeals to the reader. That’s a different direction of thinking than thinking about how to make a three-dimensional object look good without ruining it.
  • When Steel 7 was started, he asked that ie be titled “the conclusion.” If he didn’t he realized that people might think that if he used a long-running manga series as a theme, it’d last forever.
  • He knew there was the desire to read more, but also the conflicting sense that everything would get pretty stale if it continues on and one.
  • He started Steel 7 with the determination to bring everything to a conclusion once and for all.
  • The popularity of Crossbone in Extreme Versus led to more of the series. He says the readers were also worried.
  • They were worried about Tobia and the others, considering they were so close to the V Gundam timeframe, one of the darkest in Gundam history.
  • Font is a result of otaku being painted more favorably in society as individuals who are passionate about what they like.

 

  • He wasn’t sure what to expect when first creating the Phantom.
  • He went through about 100 ideas before handing it over to Katoki halfway through, so he was relieved when he helped.
  • If they had planned out the suit from the beginning, they likely would have ended up with a Z-type transformation that uses a shield.
  • Fukushima incident influenced the nuke scene in Ghost.
  • Zero Gravity influenced the scene where the Phantom picks up the communications of people around him.
  • His assistant kept asking him not to kill off Jack.
  • Even as he was working on Ghost, he heard there would be even more Crossbone.

 

  • He was surprised Sunrise greenlit the project since it was 16 years after Ghost.
  • Hasegawa says that they were okay with it since it had never been done. When an anime comes out, it will be the correct path and correct history and this work will be another branch on the tree. (He’s referring to a work in this timeframe, not a Crossbone anime).
  • He was warned not to introduce any technology beyond V Gundam. So, if he suddenly came up with a warp engine, it’d destroy the worldview.

 

  • The Kshatriya exploding in the colony and the colony shutting down sort of hit him. He thought that in these times, colonies wouldn’t be able to survive if they shut down after just one explosion in them.
  • The walking war museum in episode 4 of Unicorn influenced the desire to have old suits reappearing.
  • Says that up until V Gundam, new MS were stronger than old, but if they disappeared for a time or if the tech wasn’t maintained, it’d be interesting to have a situation where any old suit could be the strongest.
  • That was the initial starting point for Dust.
  • Romance of the Three Kingdoms is an influence for the story.
  • Prep time wasn’t as long as Ghost was, so he couldn’t plan ahead.
  • Since the worldview shifted dramatically, he started with an idea and try it out, seeing where it would go and what he could come up with.
  • Around Vol.3 he came up with the idea of landing a colony (how the story ends). He consulted the editorial department first.
  • If the Executioner King was the final boss, and we wanted to bring down the colonies, that route was available.
  • If not, we could end the story with the Executioner King.
  • They decided to cut the entire series structure for the colony landing.
  • Neo 1 Banchi colony was created for this purpose.
  • The colony landing surprised many, including Shinichi Miyazaki who was helping with the mecha design and whatnot.

機動戦士クロスボーン・ガンダム メカニック設定集
CROSSBONE GUNDAM MECHANICAL SETTING COLLECTION

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2021.03.26
Price: 990
Size:

Includes newly drawn works! All the mechanics from Crossbone are included! This book includes mechanical expositions by Yuuichi Hasegawa, never seen before design roughs, and even the “Crossbone” version of the Tomino memo! It also includes a long interview with the author and a setting collection commemorating the completion of the series.

[Reference] – Crossbone Gundam Original Draft

Tucked away in the back of the Crossbone Gundam Mechanical Collection book is a never seen before publicized version of the Tomino draft of Crossbone Gundam. This particular memo has many details that didn’t make it into the final manga compilation, so it’s up to the viewer to draw their own conclusions about whether Tomino’s name was attached solely for marketing purposes or not. This just goes to show how off the rails Crossbone has been since the very beginning. You can read it all here.

機動戦士クロスボーン・ガンダム メカニック設定集
CROSSBONE GUNDAM MECHANICAL SETTING COLLECTION

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2021.03.26
Price: 990
Size:

Includes newly drawn works! All the mechanics from Crossbone are included! This book includes mechanical expositions by Yuuichi Hasegawa, never seen before design roughs, and even the “Crossbone” version of the Tomino memo! It also includes a long interview with the author and a setting collection commemorating the completion of the series.

[Updates] – Hathaway’s Flash Ch.19, 20, 21

I’ve neglected to post these updates over the past couple of weeks, so it’ll look like three chapters are available now instead of just one. Nonetheless, there’s one more chapter and this volume will be complete! It’s been a bumpy route working on this novel so far, so hopefully people are enjoying it. The final chapter in this book is probably the longest of all the chapters in the Hathaway’s Flash novel series, clocking in at over 10,000 characters. Editing is going to be a nightmare again. Please bear with me. Toss a hyte or cool to your translator if you enjoy this series!

[Reflections] – Tomino’s Book on G-Reco

I’m skimming the new Tomino book about G-Reco and it makes my brain hurt. Some of this info is a bit crazy and was either omitted or incredibly vague throughout the series. Not sure if I should attempt bullet points, but here we go nonetheless:

FOREWARD

  • Tomino admits he shouldn’t be writing about a work that he planned and directed. If it were popular, others would have done so already.
  • If I’m understanding, despite the late timeslot, it wasn’t much of an issue since people would record it and watch later, but Tomino kept the pressure on himself?
  • Stuff that he came up with during the planning stage was incredibly deep(?), so he had to reflect on the harshness of the production schedule.
  • Looking over the entire story as a TV version, he could see the lack of content checks from the planning stage, found narrative omissions, and came to the consensus that the TV version was only the “zero-gou” (first prototype) in the film production stage.
  • DVDs would be put on sale to recoup production costs, but he couldn’t stop that.
  • He started revising it as a film version since he was accustomed to doing this, so it was a force of habit.
  • He started making changes from the TV storyboard to a film version. He told them he’d be doing this but didn’t get a decent answer back.
  • Comments how live actions don’t have this luxury. Directors cuts only add in deleted footage. Animation allows for things to be added easier.
  • He took more than two years to present the storyboard of the films to the production department.
  • Cue the line about if it wasn’t popular, it’d be cut. (If the first movie wasn’t popular, there’d be no more)
  • He wrote this book to help deepen the understanding of as many supporters as possible.

INTRODUCTION

Three Major Corrections with the Film Version:

He considered just fixing the three errors he made, but there were a lot of others, and he had been carried away by the habits of working on anime and stopped thinking.
He was amazed at his own stupidity and writing this book allowed for him to see it again. So, we have three points:

Putting Eyes on the G-Self

  • He helped with the 1/1 construction of the Gundam. At the end, when it was dismantled, few people know that the head and left arm were removed first and it was temporarily posed in the last shooting position.
  • Akira Yasuda drew a version of the G-Self with eyes, but the animation version only had the glass surface in the shape of eyes, just like the old Gundam.
  • No one was concerned about the G-Self’s expression (the eyes) after it was on TV.
  • The 1/1 Gundam helped him get a better perspective on the head. He said that in 40 years of Gundam, no one has really depicted the “pupils” or the camera lens in the eyes. (Note: Didn’t Gundam Wing do this once?)
  • He cites the many manga running in Gundam Ace and the artists (and writers) neglecting this.
  • As the movie version moved forward, staff didn’t push back on the changes of eyes. He was surprised.
  • He cites this lack of eyes and the fact that no one else really does it as being “bound by the curse of Gundam”
  • He says that by giving it eyes, he feels that the mecha also have emotions
  • Even though the stage of the story is ultra-futuristic, the motif is the result of thinking about things realistically, not fantasy.

Windows on the Crown

  • Tomoaki Okada’s first draft of the Crown floored him.
  • It was a messy design with Minovsky Flight Engines, yet looked plausible.
  • Tomino’s original design was very rough. He immediately approved the design and sent it off.
  • He realized at the end of the show that there was a problem with the design. He couldn’t remember when, but the depiction of the Crown was wrong to him.
  • The windows were always black, which was fine for the setting art and whatnot, but not for the animation.
  • Unoccupied or unused rooms were fine to be black, but the ones being used should’ve been lit up.
  • That’s it, so that’s why they’re lit up in the movie version. A simple fix added so much more to the world.
  • Says he should’ve been aware of this from the beginning since he’d be depicting the Nut and ships…

Using the Nut for Scenery

  • A fake setting(? ウソ設定). Since the era has a history that is inherited from the Gundam world, he decided it was possible. (He’ll explain more about the lies later).
  • 3 different scales are due to not know which size would be appropriate since there is a cluster of basic production units that are forced to produce industrial waste that pollutes the Earth.
  • He noticed a big problem with this towards the end of production too.
  • Says white color for it should have been a better choice, but it doesn’t translate well on screen.
  • As such, it made it hard to tell which of the 144 units was witch, even if explained in the dialogue.
  • Plus, it was never shown for extended periods of time on screen, which made it hard too.
  • He saw one of the Bond movies and was inspired by a scene change.
  • So, for the movie version, it was fixed by redrawing the outside wall to make it look like the scenery changed.
  • Ended up with the film version of Haiyan with the scenery of Coriol, Dimitar, and Wanjira (Uh… new Nut shots?).
  • Coriol is quite cute, Haiyan is grand Wanjira is derived from Africa, so he wanted a continental feel, but it was hard. Dimitar is pretty straightforward and dignified.
  • By making this tweak, he was able to shift the attitude of the animation more so towards a movie.

Lesson’s Learned:

  • Be careful with habitual work. Habits are dangerous. Whenever you are stuck doing the same thing, always ruminate and reflect on it. That’s it.
  • Whenever you feel something is wrong, ask yourself what it is and try to find a cause. But, if you get carried away, you just keep making mistakes over and over. It’s not a sign of old age, just one of the pitfalls of habits.

G-RECO’s EARLY STAGES

ATTACK A: PUTTING TOGETHER THE MAIN PLOT 1

Early Stage Proposal
Penning a Bright Future
“Reconquista in G” Proposal Outline [COMPANY SECRET] February 2010 to March 8th
General Comments

Towards Reconquista in G
Reconquista Happened through Movements
Cautioning Oneself 1
Cautioning Oneself 2

ATTACK B: PUTTING TOGETHER THE MAIN PLOT 2

G-Reco’s Early Setting

Introduction
Human Sources of Pollution Multiply
Organizations Have No Consideration for the Earth
Tools for Lying
The 21st Century, Supported by Psychosomatic Disorders
The Threat of Artificiality
The Discovery and Towing of Luna II
The End of the Universal Century
The Age of Feeding on One Another

Rebuilding the Space Elevators
Sankt Porto
The Blossoming (Development) of Peripheral Technology
Space Colony Construction Period
Invention of New Battery and Capsules
Regarding Weapons
Luna II Territorial Dispute
Principality of Zeon and Gundam
A Sense of Abandonment
Space Elevators
Towasanga’s Hermes Foundation
Transfer of Capital Tower’s Operational Sphere
Crown
SU-Cordism
General Taboos of the Regild Century
Human Habits
A Different Kind of Taboo
Leaving Taboos to Religion
Exceptions to the Taboos (The Overnight Festival)
Setting of SU-Cordism’s Cloistered Emperor
Hermes Foundation
Considerations
I’d Like to Make Some Partial Changes to the Universal Century
To Prolonge the Life of the Earth

CREATION OF THE WORLD

ATTACK C: BASIC SETTING (Phenomenon)

Regild Century is in the year 1014
About the Terrain
Political Distribution by Continent
Capital Army
Life Without Gravity
Proof Still Takes Time
Will My Internal Clock go Haywire?
I Don’t Want to Think About Problems With Radiation Exposure
What is Radiation?
Is there Any Radiation Damage?
Origin of the Name B-Clover and its Role
The Power for the Linear Motors Comes from the Earth
Laser Beams in the SU-Cord Church
Use of Kumpa’s Office and Partitions
And the Airlock’s As Well
The Prototype for Towasanga Came from a Drawing Exercise
It’s Going to be a Hysterical Cyrano-5
Okada’s Issues
Opening Port at Cyrano-5
Gel Curtain
Adoption of Kuntala and Towasanga
Can Humans be Equal?
Fau Fau is a Term that Shouldn’t be Uttered (I forget what this was, sorry)
Cheerleaders and the Use of Dance
About Babies
Gynmastics on the Megafauna
Learning
Raraiya and Flaminia Kalle’s Strange Appearance
Why is it so bad to be a grown woman?
花とけもの一つに棲めるをとめ子はひる深くねむり眠りつつ育つ
On Eyes and Toilets
A Different Kind of Toilet Song

**MORE TO COME**

[Complete] Bande Dessinee Episode:0 Vol.03

The train to catch up on and finish off another series has pulled into the station! The adaptation of the Gundam UC video game and subsequent novel “War After the War” is now available in its entirety! Now, if only I could get Keith Silverstein to read some of the lines I translated…

This is what happens when you don’t fully comprehend the true meaning of war. There are two sides to every coin. While it’s true that many desire peace, it’s not easy to suppress the anger and hatred that fuels racism and nationalism. Those who are the most passionate about justice and blindly call for the end to wars are the most likely to lead people into war. Then, when they see the bloody battlefield for the first time, they will curse the shadows of their past. That’s how the masses are.

機動戦士ガンダムUC バンデシネ Episode:0(3)
MOBILE SUIT GUNDAM UC BANDE DESSINEE EPISODE:0 VOL.3

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2018.11.26
Released: 2021.03.21
Download: Available Here

Full Frontal finally appears on the battlefield. The full story behind the biggest armed conflict with the Neo Zeon since Char’s Rebellion finally comes to an end! The momentous birth of the red charisma!

[Finale] Under the Moonlight Vol.04

The series is finally complete. It’s been almost five years since the last volume was released, but another series is complete. Seems like 2021 may be the year I’m finally caught up? I shouldn’t get too far ahead of myself with that statement…

機動新世紀ガンダムX アンダー・ザ・ムーンライト4
AFTER WAR GUNDAM X UNDER THE MOONLIGHT VOL.4

PUBLICATION INFORMATION

Publisher: Kadokawa
Published: 2006.10.26
Released: 2021.03.20
Download: Available Here

Rick struggles to avenge his father and find Rose, who was kidnapped. Now, Rose has lost all her memories. And now, with the arrival of the completed Descem, the GX has no chance! Will Rick be able to get Rose back?

[Long Overdue] – Cyber-Newtype Story MAD WANG 1160

Since I did make a promise to make every effort to start clearing a lot of the backlog that people seem to be grumbling about as of late, I decided to dip into a quarantine-laced boredom-infused dust off of the MAD WANG 1160 volume that hasn’t been touched in over a decade. As weird as it sounds, I sort of enjoyed this random story and kind of wish there was more of the world worldbuilding done. This is the furthest removed from Gundam as possible, so much that it is at the point where there is really no evidence it’s even linked to it (aside from the one U.C. reference in the opening and Minovsky particles). Nonetheless, this is finally available to fans in English. Enjoy.

強化人間物語 MAD WANG 1160コミック
CYBER-NEWTYPE STORY MAD WANG 1160

PUBLICATION INFORMATION

Publisher: Mediaworks
Published: 1996.07.15
Released: 2021.03.18
Download: Available Here

A comic by Kaoru Morishita serialized in MS SAGA from 1994 to 1995. It is a sequel to her previous work “ANOTHER Z GUNDAM STORY”, which was serialized in Cyber Comics, and takes place in the far-off future.

[Framework Friday] – ∀ Gundam Science (Installment.02)

Now that I have a novelization project finished up, I’m trying to figure out how to balance my time with relatively obscure Gundam-related material. So, much like the “Translation Tuesday” posts for novel chapters, I decided on “Framework Friday” for Gundam background material. Aren’t I so clever? I guess that means there will eventually be a “Manga Monday” at some point in the future. Oh god. Stop me now, please! Anyways, I posted about some Turn A Gundam goodness quite a while back, but I decided to go back and review the information prior to it since it sets the stage quite nicely! Anyways, enjoy!

Electrical Civilization

One of the two bases of civilization in the Correct Century world is electricity. This is primarily due to the widespread usage of solar cells (commonly known as solar-powered turf), which are incredibly efficient in converting light energy and have the ability to self-replicate. This solar-powered turf is a product of nanotechnology from the old era; however, people in the Correct Century era take it for granted that it is just a different kind of plant that grows wildly in nature.

The power generation capacity of the solar-powered turf is sufficient to meet a single family’s needs. Furthermore, since each household is generally equipped with fuel cells made up of the hydrogen-absorbing alloy “phlogi-stone,” they can receive a minimum amount of power even in cloudy or rainy weather or at night when power generation stops.

On the other hand, in urban and industrial areas that require vast amounts of electricity, electrical power is supplied from hybrid power plants that combine hydrogen internal combustion engines with wind and hydroelectric power, thus maintaining social infrastructures. What’s more, the motors driven by the electric power obtained in these manners are used as dead-copies of the old era’s relics without improvements or analysis.

There was once a time when energy was transmitted from power generation satellites in outer space. However, these were destroyed in battle relatively early on, and no attempts were made to rebuild them after that. All of the ground-based transmission facilities have been lost and are no longer functioning. Some of these facilities are now known to the people as the “Mountain Cycle.”

Every house in the world of Turn A has a green roof because it is covered with solar-powered panels planted with solar-powered turf made from nanomachines.

Phlogi-stones & Internal Combustion Engines

Along with electricity, another pillar that supports the Correct Century civilization is the hydrogen internal combustion engine. This involves burning hydrogen by reacting it with oxygen and utilizing the energy produced by the reaction. This reaction produces zero emissions other than steam or water and doesn’t pollute the environment.

The hydrogen internal combustion engine was created through advanced technology. People in the Correct Century simply build and use them blindly without improvements in the same way as electric motors.

Fuel for the hydrogen internal combustion engines is supplied by an ore called a phlogi-stone, an extremely efficient hydrogen-absorbing alloy (aka an alloy endowed with properties to store hydrogen in its structure). In the old era, phlogi-stone were created by nanomachines. Yet, in the Correct Century era, they are treated like naturally occurring coal and gasoline, powering the engines of cars, aircraft, and industrial machinery.

Urban areas are dotted with phlogi-stone stations, just like the gasoline and charging stations of the old era, so that fresh phlogi-stones can be supplied at any time for vehicles traveling around the city and household fuel cells.

These phlogi-stones are recyclable, and once the stored hydrogen has been depleted, they’re collected through phlogi-stone stations and sent back to specialists. These depleted phlogi-stones are then dumped into the ocean, where they take a considerable amount of time to reabsorb hydrogen. These companies make their living by mining and regenerating phlogi-stones, going back and forth to the coastline every year to provide people with a pollution-free source of energy.

The size of a phlogi-stone is 5-6mm in diameter. It has an irregular and complex tetrapod shape, which is white when it contains hydrogen but turns black when the hydrogen is depleted.

Mineral Resources

Past prosperity saw the consumption of Earth’s mineral resources, which were essential for maintaining civilization. To compensate for this, many resource asteroids were towed near Earth in the old era and played a role in supplying various minerals. Some of these asteroids were decelerated and forced to make soft landings on Earth.

Many of the deposits being mined on Earth in the Correct Century today are resource asteroids brought from space during the old era. The Vicinity mine owned by the Heim family is believed to be one of these asteroid mines.

It also appears that some of the mines in other areas have remains of space colonies that were dropped from space during the wars of the old era.

The entrance to the Heim mine and the people working there. Aluminum and other metals from the wreckage of the old era are mainly mined here.

[Translation Tuesday] – Hathaway’s Flash Chapter.18

In keeping with my weekly novel chapter postings, Chapter.18 of the first volume is now available to read. It looks as though I’ll have this first volume finished up well before the first movie premieres. There will likely be a delay of a week before the final chapter is posted as I need to seriously sit down and tweak some things from it (plus it’s a lengthy installment at almost 2.5x the length of most chapters).

[Archive Diving] – For the Barrel (Serialization.01)

A young boy who grew up looking at a sky covered by walls
had feelings in his heart with no outlet.

While living a nomadic life,
he longed to one day carve his own path.

A future where generations have passed since the days of dreaming
of the vastness of space as a place to settle.

Half a century since emigration into space, brimming with hope.
Even if you tried living in the countryside,
the countryside was becoming a thing of the past.

But the boy was too helpless.
He didn’t even know what his weapon was.

Then one day, he sees a white light.
Convinced that the light will guide him, the boy starts running.

Three Major Revolutions: Particle Accelerators (Aura Road)
A huge living space (space colony).
And the space worlds built by humanoid weapons (machining skin).

At dawn, the war begins.
At dawn, the boy is there.

character.design: SHIGETO KOYAMA
mechanical.design: JUNJI OHKUBO
establishment: MASAKI APSY
editorial director: GICHI OHTSUKA

SERIALIZATION INSTALLMENT.01
Prologue:
Forecast End – Death of a Forecaster

 A horrible chill suddenly came over me.

 The chills hit me not once, not twice, but three times in succession, gradually breaking my senses. From my head to my neck, my lips trembled, and my knees shook as the chills descended. I tried to raise my voice, but the grime from the maintenance facilities clung to my throat. I couldn’t catch my breath. The palpitations in my heart increased in intensity. My beautiful, silver hair, wiry from the oil and polluted air, spreads out in the sewage of the caved-in floor. Even though my consciousness was fading, I knew this wasn’t a mild case of the common cold. 

 Luna II, the forward base of the Earth Federation Space Forces Space Command, is located on the asteroid Juno, which has a maximum diameter along its equator exceeding 80km and is fixed in orbit directly opposite the Moon across from Earth. This base is home to hundreds of thousands of military personnel and civilians engaged in related businesses. 

 Several months ago, a refugee girl named Fraw Bow, who escaped from her hometown aboard the Earth Federation Forces state-of-the-art “Pegasus” by chance, was taken off the ship under the protection of the Earth Federation Forces and housed here on Luna II after a difficult life adrift. 

 The lack of gravity was not suitable for a long-term stay, and the living conditions weren’t very suitable, as most of the facilities were military, industrial, and mining ones. 

 Still, Fraw thought, it was better than the Pegasus. I’m sure I breathed in much dirtier air compared to the Pegasus. Still, she felt that it would be so much easier to just get far away from the unconscious self-confidence that person exuded. 

 It wasn’t the smell of this ship that made Fraw want to crawl out of her own skin or the crude conversations between the male crew members that made her life adrift in space difficult. It was that person. 

 Sayla Mass. A woman who was also a member of the Pegasus crew. A woman with short-cut, sheer blonde hair and a cocky, cold voice. 

 The self-confidence she felt in being able to unconsciously perform gestures that would slip into men’s physiology stimulated Fraw’s complex, who had never been able to grow up in a healthy, sunny environment. What is more, the jealousy she felt at having the first man with whom she ever had sex with taken away from her, and the feeling of defeat at this other woman ended up in her removal from the Pegasus.

 And yet, Fraw pursed her lips together. 

 She felt as if Sayla’s own light reached the other side of the Moon. Every time, Fraw hated her ugly, twisted mind and hated Sayla for still tormenting her from so far away. 

 Just before the chill hit her, Fraw had felt the glow from Sayla’s confidence. 

 The entire southern block of Luna II had been converted into a refugee camp, where most of the detainees were sent to conduct logistical support. Fraw, like the other refugees, had been assigned a variety of menial tasks. Her eyes were on the cylinders of the electric-powered motor vehicle Elec-car, which she was running through an oil cleaner while watching over fellow refugee children, the war orphans Katz Howan, Letz Kofan, and Kikka Kitamoto. 

 Fraw still did not have any love for the three children that adored her. Every time they endearingly called her “mommy,” she felt as though she were drifting further away from her dreams of love and ordinary happiness. 

 ”If it weren’t for these children, if only someone else had taken care of them, I could have gotten men off just like Sayla!” 

 As Fraw felt her heart twisting inside of her as she gazed into the powerfully assertive yet lovely eyes of Kikka clinging to her feet, she saw the light. It was a light that was unbearable to Fraw. 

 ”Again! Again with that damn light!”

 But behind the light, there is yet another. A white and distant light that Fraw had never seen before.

 ”Ling! Ling A-bao!”

 She was already calling out the boy’s name when she realized that the light belonged to the boy that she had been thinking about. Just then, the light reached her from an area of space far, far away from Luna II, and slammed into her entire body. 

 Sitting inside the center of a small cockpit with instruments like some kind of laboratory, he found himself feeling unusually calm. The gentle huffs of his breathing echoed inside his helmet. Ling A-bao was biting his lip as he realized how little life he had left. 

 A few moments earlier, Hayato Subayashi, who was also a member of the Pegasus crew, had been killed by the enemy’s humanoid weapon known as a Machining Skin. The beam weapon mounted on the Machining Skin’s arm enveloped Hayato’s C109 Gunboy Orville, aka ‘Cannon Boy,’ like a shower, and its skeletal silhouette collapsed in an instant, vanishing in the middle of the attack. The light from the explosion swirled in the vacuum of space, steadily increasing in gravity. To Ling, it looked as if a huge circle of light had blossomed. 

 He wasn’t upset. He felt frustrated and sad, though. In the end, he couldn’t even have a simple conversation with him. Still, even though he couldn’t say much to him, he felt like he was getting closer to him during this war. When he thought about it, he felt a burning in the depths of his soul. The screams from C108, the pilot of the same Cannon Boy, Koo YC Teng, were still ringing in his ears, and it hurt. 

 But, still. Ling swallowed hard and stomached Hayato’s death. 

 ”If this is fate, then so be it! Right, Hayato?!”

  The newly prepared Machining Skin G3, otherwise known as ‘Ghost,’ replaced the wrecked Gunboy Wilbur and had taken to Ling’s ever-increasing reaction time. Based on the basic movement system common to the Gunboy series, it consists of three portions: a lower body seat that is completely fastened to the pilot to follow the mobility of the Machining Skin, a moveable waist seat that provides directional support for the suit, and a fixed upper body seat. The cockpit of the Ghost, equipped with additional state-of-the-art sensory devices that corresponded to the pilot’s specialized abilities, is a fierce match with Ling, who had saddled Hayato’s death and steeled himself. 

 ”It’s got some moves! Guess I played right into the palm of your hand, isn’t that right, Dad?!”

 The dilemma over piloting a suit designed by his own father had already faded away. He was sure he’d be glad to know that now. The picture that had been flickering in his mind, but had never taken shape, was starting to fall into place and tell Ling of the future. It was a forecast, one of those abilities that only Ling and a few other people, Newtype’s, were prepared for.  

 ”Tch! Just because it’s war doesn’t mean you can do whatever the hell you want!!”

 Ling maneuvered the pilot suit and the lower body seat with a flick of his hips, which seemed to float around his locked waist, changing the posture of the Ghost, and then raced off towards the flash of light where Hayato was. 

 ”Pegasus, this is Ghost! It’s Ling! A laser attack is targeting this sector of space! We’re all going to be killed! We need to get out of here, now!”

 But that was it. 

 The next thing she knew, children were surrounding her, looking worried.

 ”Are you alright?” “Are you okay?”

 ”Mommy, let me see your face!”

 Fraw couldn’t help but cry when she heard their voices. For the first time, she thought of the children who touched her with their alluring and energetic touch. That made her happy. I’m sorry, Katz, Letz, Kikka… I couldn’t love you. I’ve been a hindrance to you…”

 And she felt she was still sorry.

 I’m so sorry, Ling. I couldn’t accept you as someone special, and I had to run away from you.

 Please forgive me, Ling. 

 We won’t see one another again, Ling.

 Farewell, my only Ling.

 The rays of light emitted by the enemy’s machining skin hit the Ghost directly. Ling, who had already foreseen his own passing, should have been prepared to die unwaveringly. That’s why he intended to entrust things. The way he looks. The plans he would be unable to fulfill. 

 ”Have a good look, everyone. The sorry death of somebody who was thought special! To those here, on this battlefield! To all those in this airspace! And to that boy!”

 And yet, and yet…

 To be continued

 

 

Note: This isn’t a new project. Someone translating Gunbuster novels or whatever is working on this. This was just to show people how different they were from the originals.

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